“The Official Anti-MILO Toolkit”

[Anonymous 25]

A group of female supremacists are trying to silence Milo, their names are:

Amanda Armstrong, Sarah Cowan, Lisa Hofmann-Kuroda, Elizabeth de Martelly, Julia Havard, Juliet Kunkel and Miyuki Baker.

This bunch of man haters who try to pass themselves off as academics have created a “toolkit” in an attempt to shut down free speech and silence him.

http://www.breitbart.com/milo/2017/01/28/leftist-professors-write-anti-milo-toolkit-attempt-fight-dangerous-f~~~~~/

They never seem to realise these type of tactics always backfire.

At least men everywhere (and the world) can see that these are dangerous, dangerous, dangerous man hating women. Stay well clear of them (even manginas).

[PistolPeteParticipant 27143]

THIS IS EXCELLENT. Milo NOW has a potential court case;

a) Libel
b) tortious interference
c) possible civil rights violations

My advice: LAW SUIT!

[Anonymous 25]

PistolPete wrote:

HIS IS EXCELLENT. Milo NOW has a potential court case;

a) Libel
b) tortious interference
c) possible civil rights violations

My advice: LAW SUIT!

Yeah I thought the same. And if it was in the UK, it would constitute a crime of harassment and there’s a reasonable prospect a jury would convict.

[TrapperParticipant 2912]

They call Milo homophobic!!!
That’s like calling Obama a white supremacist!
These bitches are crazy

[Anonymous 42]

They’re Trumpsterical and attacking anyone with a dick!

[HitmanParticipant]

Communist C~~~s can’t handle the truth.
Milo is popular because he speaks truth that interferes with the socialist narrative they try to indoctrinate college students with.
That indoctrination is a misuse of free speech.

[Oz-BlokeParticipant 3233]

LOL, the credentials of the women attacking Milo with ‘The Official Anti-Milo Toolkit’ are laughable. Analysis of the authors’ credentials reveals a bunch of bohemian artists who have never lived in the real world and who hide away in climate-controlled, snowflake creche that is modern academia. So who are these women? –

Amanda Armstrong – University of Michigan, Michigan Society of Fellows, Assistant Professor

Studies –

Her dissertation, Infrastructures of Injury, considers how members of the British working class responded to mid-nineteenth-century institutional and discursive shifts that rendered them individually responsible for managing industrial injury and its effects. The dissertation shows how higher grade railway workers forged domestic and work identities organized around their “paternal” responsibilities to protect passengers and to provide for their family members, even in the event of their own fatal workplace injury. She is currently working on a book project that considers how early British railway trade unions, among other institutions, facilitated colonial labor migration, and how British labor migrants mobilized notions of responsibility to bolster racial hierarchies of labor in colonial India. The book goes on to track intertwined histories of anti-colonial and industrial unionism in Britain and colonial India up through the interwar period.

Quite ironic that a woman that has studied how MEN built the world (railways etc.) and some died doing so would attack Milo and his message from the comfort of her climate controlled office where the greatest risk to her safety may be a paper-cut from student paper!

Sarah Cowan – UC Berkeley

Conference presentations –

Harlem Dwelling: The Restrained Intimacy of Roy DeCarava’s Early Photographs

Heavy Bodies, Soft Things: Reciprocity in Senga Nengudi’s Pantyhose Sculptures

Figures of Speech: Losses of Exchange in Amalia Pica’s ‘Sorry for the Metaphor,’ (2005-2010)

Resisting Light: Roy DeCarava’s Early Harlem Street Scenes, 1949-1954

And her credentials are what exactly? Looking at photographs and waffling some bulls~~~ ‘interpretations’ about them. Sorry love, spend a few years on the end of a jackhammer, grinder, shovel, high-pressure hose, ramset drill, etc and get back to us when you want to bitch about the patriarchy which pays the taxes that lets you talk about ‘art’.

Lisa Hofmann-Kuroda – UC Berkeley Professor

Huffington Post writer. Need I say more gentlemen?

Studies are as above, more bulls~~~ about looking at some bloke’s photographs and interpreting the ‘art’ within –

The Ghost in the (Oriental) Machine: Lafacdio Hearn’s Haunted Tales of Old Japan – Lisa Hofmann-Kuroda, East Asian Languages & Cultures

In 1890 Lafcadio Hearn, a Greek-Irish immigrant to the U.S., traveled to Japan (by this time a rising empire in the Pacific) as a newspaper correspondent with a commission to write a series of ethnographic sketches of “Japanese life” for a Western audience. Hearn would go on to live the rest of his life in Japan, even marrying into a Japanese family and adopting a Japanese pen name: Koizumi Yakumo. Hearn had a keen interest in vanishing cultures, and his critiques of modernity often fell into romantic nostalgia for an idealized past.

Using a collection of Hearn’s essays called “In Ghostly Japan,” my talk will explore the connection between late-19th century Orientalist ethnography and travelogues and the trope of ghostliness. A recurring theme that appears throughout Hearn’s writings and letters on Japan, “ghostliness” takes on racialized connotations in these essays as Hearn draws upon Francis Galton’s technique of “composite photography”—a technical innovation in which multiple exposures on a single photographic plate allowed for the layering of several different portraits on top of one another, creating an “average” or composite photograph of multiple individuals. Galton, the leading theorist of eugenics during the Victorian period, believed that this technique could be used to predict an ideal racial type by blending the characteristics of those whose features he deemed racially superior.

That Hearn often drew upon the metaphor of composite photography in his writing to describe the “ghostly layering” of past and present in his ethnographic sketches has implications for how we understand his position in late 19th century Japan. I will show how the figure of the ghost becomes a particularly apposite figure with which to think through the complex temporalities at play in the Orientalist imagination by focusing on the way in which Hearn uses the trope of ghostliness to project an “idealized” fantasy of Japan onto his present surroundings, thus blending scientific observation and fantasy in his writing in a way that paralleled Victorian

Don’t you just love where your hard-earned tax dollars are going fellas?

Elizabeth de Martelly – Music Professor UC Berkeley

Still more bulls~~~ artistic studies courtesy of male taxpayers, this time it’s music instead of photos –

A fifth-year Ph.D. candidate in the Department of Music’s Ethnomusicology program, Elizabeth de Martelly studies popular music and racialization. Prior to coming to Berkeley, Beezer (as she is known) earned an M.A. in Music History and Theory from SUNY Stony Brook, where she researched queer performances in an NYC-based metal band’s online fan community. “My dissertation project develops from these interests, examining the relationships between race, space, and sound in Seattle’s grunge genre — a music genre often associated with leftist politics but which generally eschewed explicit discussions of race,” de Martelly says. Her research examines how grunge music racially transformed Seattle’s Chinatown-International District in the mid-1980s.

I could go on with the other authors of the ‘The Official Anti-Milo Toolkit’, but you get the picture. A bunch of women with liberal arts degrees where, ironically, they can virtually only find jobs back in the college system regurgitating the same artistic bulls~~~ from their student years.
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#ManOut

[Oz-BlokeParticipant 3233]

To quote the original link –

The toolkit further claims that MILO’s Dangerous F~~~~~ tour, “brands itself on much of the same sensationalism that fueled the rise of Donald Trump: inflammatory rhetoric couched in aggressive racism, xenophobia, transphobia, homophobia, and Islamophobia.”

Are they suggesting MILO is a closet heterosexual? I don’t care either way, the guy makes a lot of sense and has massive b~~~~ for calling out all the femtards on their gynocentric bulls~~~.

#ManOut

[Anonymous 25]

Oz-Bloke wrote:

So who are these women? –

Given their level of attractiveness, it’s understandable why they hate men. They must have been rejected by men a lot

[Author]

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